The resulting pieces suggest boulders

Since its opening in 2009, transFORM Gallery has served two purposes. The 3,000-square-foot former industrial space is not only a showroom for transFORM’s custom home-storage systems, but also an art gallery that hosts four exhibitions a year. Here, furnished model rooms provide the settings for the art. Sculpture might stand beside a coat rack. Photographs might adorn an elegant bathroom. A painting might hang between shelves in a walk-in closet.

Currently, these settings are filled with an exhibition that addresses a specific theme with an assortment of approaches and a very long title: “Geraldine is friends with Mari, who just met Mary Ann and Rosemarie, I think: Female Contact — Art From Feminine Perspectives.” The show presents nearly 70 works by four female artists. Ceramic and mosaic sculptures, fiber and found-object constructions, blown glass, digital prints and video can be found on walls,wholesale lady shoes wholesale from cheap ladies shoes wholesale. shelves and countertops, even suspended from the ceiling.Shop for bobblehead head dolls from the official NBC Universal Store and build. Kara O’Neill, transFORM’s curator, says the title refers to the distinctive interactions of women with one another, with their environments and with their art. “It’s their female contact,” she said, “with each other personally and also with their materials and what they are passionate about.”

Mary Ann Lomonaco is passionate about mops. A Larchmont resident who makes mixed-media creations from found items, Ms. Lomonaco, 69, transforms white cotton mop heads into ornate headdress-like objects. There are six in “Female Contact,” all dyed and mounted on narrow posts, each with its own personality. One that is rust-colored seems to clutch two intricately beaded poles. Another is bright turquoise, with red clothespins and dowels inserted symmetrically on both sides. Feathers sprout from a third, this one charcoal speckled with red.

“When you think of a mop, you think of something dirty, something connected to women’s work,” Ms. Lomonaco said. “I am intrigued by the idea of turning it into something beautiful.”

Among Ms. Lomonaco’s other pieces in “Female Contact” are an American flag with bottle cap stars and stripes woven from soda cans, elaborate collages made from multiple cutouts of commercial imagery, and “Opera Coat,” a majestic garnet-colored robe ornamented with beads and the tips of silk ties.

“I want my work to make you stand in a new place and look at things you see all the time as if for the first time,” she said.

Visitors can look at Geraldine Marcenyac’s photographs and sculptures in the showroom’s high-end laundry room.Jeanswear and accessories allowing both women and men to express their women shoes factory. Ms. Marcenyac, who grew up near Versailles, France, and now lives in Norwalk, Conn., shoots her photographs, all black and white, during her frequent travels. “They are often related to weather,” she said. “There are not many people in them.”

For her sculptures, she cuts ceramic tiles into small curved and geometric shapes, then arranges them onto rotund formations she molds from clay and concrete. The resulting pieces suggest boulders whose weighty solidity seems to be thrusting through their grouted, weblike surfaces.

Ms. Marcenyac, 42, cited childhood summers with her uncle in Corsica as inspiration for the sculptures. “My uncle made mosaics,” she said, “and I spent a lot of time watching him.”

She and her uncle also collected bugs,trade platform for China Optical frame manufacturers and global. which led to another body of work — glass-domed assemblages she calls “Curiotheques.How to make a fabric flowers for your Wedding Gown.” There are five throughout the showroom; each consists of a natural form and a preserved and sometimes exotic insect. In one, a shiny rhinoceros beetle perches on a chunk of honeycomb.

Rosemarie Fraioli, a multimedia artist from New Rochelle, brings digital imagery to “Female Contact,” with a focus on the mythological female demon Lilith. Symbolized by butterflies and owls, Lilith was thought to be a shape-shifter who strangled children and seduced men. It was speculated that she was the first wife of Adam, and that she transformed into the serpent who tempted Eve.