"I grew up on a small farm in central Ohio," said King. "Relatives
on both sides of the family were artistic and included self-taught
painters, wood carvers, furniture makers, and my mother who sewed and
knitted beautiful clothing. As a child, she nurtured my love of fabric
and art by teaching me to embroider and later to sew."
"My
current work is very personal to me and reflects my love of travel,
which often focuses on the natural world or the joyful memory of a
journey taken," said King. "I also have an interest in history and old
photographs,Fashion New Lovely Metallic Lady Hollow Rose Flower Elastic
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Headband. which has compelled me to engage in figurative and portrait
work. The resulting textile pieces in this exhibit are my attempt to
call forth the ghost into the room, searching for a way to connect our
present condition with the human experience of those who came before."
The
King exhibit clearly illustrates her love for the beauty and textural
quality of different fabrics. Silk, velvet,Rudy Project has created a
series of Cycling sunglasses,
denim and corduroy, as well as traditional cottons are sewn together
using paper and piecing constructions. The fabrics are enhanced with
paint, pastels, and colored pencils, then embellished by embroidery,
beads and found objects. Cyanotype and heliographic prints capture the
natural world. She uses heavy, free-motion machine quilting as a
personal signature to add texture and unify her artwork.
King's
work has been shown in both individual and group shows throughout
Ohio. The cities include Cincinnati, Columbus, Gallipolis, Ironton,
Lancaster, Logan, Nelsonville and Zanesville.
King credits her
educational background and work experience as major influences on her
work. She earned a bachelor's degree in art from Ohio Dominican College
and a master's degree in social work from Ohio State University.
"As
a clinical social worker, I am ever searching for connections with
others; the emotions and commonalities of experience that bind us
together and define what it means to be human. The eyes of the human
face often betray the mask of the people present to the world at large.
Through portraiture,We are always offering best quality stainless steel necklace the affordable. I seek to penetrate this facade and expose the emotion hidden from view."
The
Ohio University Eastern Art Gallery is open to the public and
admission is free. The art gallery is located on the second floor of
Shannon Hall.
The crowd cheered and shouted as Krewe du Vieux
paraded through the Marigny and French Quarter Saturday, marking the
first official parade of New Orleans’s 2013 Mardi Gras season.
Getting
to the parade, however, wasn’t effortless. New Orleans’ streetcar
system was still under construction on Saturday, leaving only the city
buses to transport people to the parade route. Students gathered in
front of Audubon Park beginning in the early evening, piling onto the
buses that stopped along the streetcar route. Despite the unexpected
transportation changes, excitement remained palpable and steady.Our
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Krewe
du Vieux, commonly regaled as the most vulgar parade of Mardi Gras,
did not disappoint. Some floats kept their adult themes more implicit
than others, whose effigies included visible genitalia. Despite the
sexual nature of many of the floats, the parade remained chiefly
political. Many floats poked fun at local issues, including the Times
Picayune’s new publisher Ricky Mathews. A float titled “Yo Mama Care”
depicted a man feeding his elderly mother to an alligator, satirizing
Obamacare.
Though Krewe du Vieux admits to being more
adult-oriented, parents still brought their children to view the
festivities. The younger children sitting on their parents’ shoulders,
and the older children pushed their way to the front of the crowd.
Children and adults alike shouted for prizes from floats and danced as
brass bands marched through the streets. Tulane’s Green Wave Brass Band
made an appearance during Krewe Delusion, one of the last krewes to
march the streets.
The end of the parades didn’t mark the end
of the night, though. Krewe du Vieux Doo, an after-party hosted by
Krewe du Vieux featured musical guests Brass Band Jam and Blue Brass
Project along with the A4D Psychedelic Funk Band. Those unwilling to
pay the $30 ticket price gathered in the French Quarter to continue the
festivities in their own ways. On Frenchmen and Bourbon streets, lucky
— and, at times, exhibitionist — partygoers were rewarded with beads
thrown from balconies. Many bars and clubs hosted their own post-parade
parties, offering live music and drink specials to their patrons.This
will be the best kind of bobbleheads a fan could get, French Quarter landmark Café du Monde overflowed with people waiting for beignets.
Krewe
du Vieux not only began the Mardi Gras season, but also revealed the
true colors of the city. A sense of camaraderie hung over the crowd,
and for a night, locals, tourists and students united in a celebration
unlike any other in the country.
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