There's nothing to be done about it, but I often wonder if cinema's
progress as a radical, avant-garde force was hampered by the
introduction of the talkies. Prior to that, live cinema had the
potential to be an audiovisual experience that went beyond the bounds of
mere vocal dubbing, a potential only realised in programmes like this
one, Electric Nights at the BFI. Damn you, Al Jolson.
It's all
about mis-timings. A century ago this year, the Futurist Luigi Russolo
wrote his Art Of Noises manifesto. In line with the general programme of
the Italian arts movement, he wished to smash the protective cloisters
and sanctuaries of traditional art, ushering in a new aesthetic era of
dynamism, inspired by the great social transformations wrought by the
machine age. Noise was key to that. “Ancient life was all silence. In
the nineteenth century, with the invention of the machine, Noise was
born. Today, Noise triumphs and reigns supreme over the sensibility of
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carriers are generally quite thin,” he wrote. “We find far more
enjoyment in the combination of the noises of trams, backfiring motors,
carriages and bawling crowds than in rehearsing, for example, the
'Eroica' or the 'Pastoral'."
To this end, Russolo began work on
what he called his “noise intonators”, large, cumbersome devices, which
were capable of emitting a range of mechanically generated sounds
imitative of every day life. These included “Roars, Explosions, Bangs,
Booms, Whistling, Hissing, Muttering, Gurgling Screams, Shrieks, Wails,
Hoots, Howls, Death rattles, Screeching, Creaking, Rustling, Buzzing,All
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in small size and in resumable. Crackling and Scraping.” They were, in
effect, prototype synthesisers and properly, retrospectively revered as
such by future generations of electronica innovators. They were even
used at early cinematic performances, though their technical limitations
made their sonic impact a little anti-climactic. The last of the
intonators was destroyed by the Second World War, lost while on
exhibition at a Parisian cinema. Little instrumental progress was made
in the development of electronic music between 1913 and the introduction
of magnetic tape after World War II. During this lengthy hiatus,
talkies came into their own.
Prince William and his wife,
Catherine, Duchess of Cambridge, welcomed an 8-pound 6-ounce baby boy on
Monday, sparking sprays of blue floodlights from Niagara Falls to New
Zealand for a prince descended from kings and coal miners and now third
in line to the British throne.
After two centuries of monarchy
dominated by imposing women — Queen Victoria and the reigning Queen
Elizabeth II — the birth of the little prince heralded the coming of an
era of British kings.manufacturers and Double sided PET industry tape Products
suppliers Directory. Should the new prince live a long and healthy life
and barring unforeseen events, he will follow his grandfather, Prince
Charles, and father, Prince William, to the halls of Buckingham Palace.
From
inside the Lindo Wing of St. Mary's Hospital — where Diana, Princess of
Wales, gave birth to him 31 years ago — Prince William, now a proud new
father, issued a brief statement saying "we could not be happier."
The
birth at 4:24 p.m. local time (11:24 a.m. Eastern time) — but kept
secret for a good four hours — amounted to the ultimate showdown between
British tradition and the 24-hour news cycle, as well as a rare nod to
modernity by the world's highest-profile monarchy. Initially, an elegant
official announcement delivered from the hospital by royal courier and
posted behind the gates of Buckingham Palace was to be the first word to
the world. But apparently concerned about being beaten by social media,
and with press in a feeding frenzy since the duchess was admitted to
the hospital about 6 a.m., the palace opted to scoop itself
instead.Visit us to find a company offering a flexible Protective film Products.Products from Global Silicon protctive film Products Suppliers.
The
official announcement was posted as billed. But a speedier electronic
press release — along with a tweet — were used in a last-minute decision
to disseminate the news more "quickly" and "simply," as the palace put
it. Those are two words not often used to describe the British royal
family.
The royal baby came as the handsome new parents and
particularly the duchess — who, as the eldest daughter of
run-of-the-mill Brits made good, was not born of nobility — have
seemingly rebooted the Windsor brand. On Monday, evidence that
international interest in the royal family has once again reached the
apogee of the Diana years was literally spilling onto the sidewalks.
Outside
the Lindo Wing, hundreds of journalists, many of whom had staked out
the hospital for weeks, did live shots into the evening in a Babel of
languages. They were jostling for position for the moment of truth,
expected to come Tuesday, when the couple widely known as Will and Kate
walk out of the hospital and offer a first glimpse of their still
officially unnamed son.
Shortly after the birth, Prince Charles
issued a statement reflecting on "grandparenthood," calling it "a unique
moment in anyone's life" and saying he was "enormously proud and
happy."
Prime Minister David Cameron called the arrival of the new prince "an important moment in the life of our nation."
In
Washington, President Barack Obama said in a statement: "Given the
special relationship between us, the American people are pleased to join
with the people of the United Kingdom as they celebrate the birth of
the young prince."
Read the full story at www.sdktapegroup.com/BOPP-tape_c556!
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