2013年2月6日星期三

The exhibition begins by tracing the development of the earliest

In the past, girls in rural southeastern Europe spent their childhoods weaving, sewing and embroidering festive dress so that when they reached puberty, they could join the Sunday afternoon village dances garbed in resplendent attire.

These colorful and intensely worked garments were often adorned with embroidery, lace, metallic threads, coins, sequins, beads and, perhaps most importantly, fringe. A symbolic element, the fringe provides a reminder that the original string skirt was a marker of fertility and has carried this meaning for more than 20,000 years.

Over time, new forms of dress were added bit by bit to the simple string skirt so that by 1900, the apparel of a woman from a southeastern European village consisted of millennia of layered history in an ensemble that could weigh more than a hundred pounds. With a glance at her,The Majestic hair flower will work on almost any hair. an onlooker could discern not only her marital status but also her religion, wealth,Discover the best Women's Prescription Eyeglasses frame in Best Sellers. textile skills and more. By emphasizing these traits — and not just her physical beauty — a girl presented herself and was chosen as a bride.

"Resplendent Dress From Southeastern Europe" features 50 stunning 19th- to 20th-century ensembles from Macedonia, Croatia, Albania, Bosnia-Herzegovina, Bulgaria, Kosovo, Serbia, Hungary, the Slovak Republic, the Czech Republic, Montenegro and Romania ― nearly all from the Fowler Museum's substantial collection ― plus 100 individual items, including aprons, vests, jackets and robes. To complement the outstanding examples of women's dress, the exhibition also includes several men's garments.

All of these fascinating ensembles are displayed in an immersive environment that evokes the distinctive mountain landscape in which villagers gathered in their finery.

The exhibition begins by tracing the development of the earliest string skirts, which later morphed into fringed garments.The Power monitor hardware and Power Tool software provide a robust power measurement solution for Windows Mobile powered devices. Subsequent sections consider the introduction of the sleeved chemise or tunic, and then the layering of aprons, vests, gathered skirts, jackets and coats. Later sections of the exhibition show the influence of the Ottoman Empire on fashion, including the popularity of long,Info Store about make your own bobblehead and Bobbleheads in general. roomy pants, often referred to as "harem" pants in English, and adornments made from metallic braids attached in ornate patterns.

Throughout rural southeastern Europe, dance and music have long been important means to socialize on Sundays and holidays, and during special occasions like weddings and festivals. Voluminous skirts, glorious colors and dazzling adornments show to best advantage when swirling during dance.

Bright red fringe in particular ― a feature originally evolved from the string skirts of the Paleolithic era ― stood out at dances as a symbol of fertility when worn by young women of marriageable age. Today,Fine handmade shoes Private label and custom China shoes manufacturer. this dress continues to be worn on festive occasions and by older people in rural areas. In addition, folk festivals featuring dance performances ― popular with both locals and tourists ― have stimulated a revival in the wearing of regional dress. As such, dress, dance and music continue to be a mainstay of life for many.

The Fowler Museum collections include more than 15,000 textiles that trace the history of cloth over two millennia and across five continents. The museum is also home to the Richard and Patricia Anawalt Center for the Study of Regional Dress, an endowed research facility that advances the study of cloth and clothing traditions through teaching and research. Students and scholars, working with the Fowler Museum's outstanding textile collections, investigate all facets of worldwide indigenous dress: the varying aesthetics of regional clothing, the range of technological solutions to cloth production and decoration, and the role of dress in defining social, religious and political identities.

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